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Jason Farrall and Ken Clarke`s fusion of pure electronica, rhythmic techno and nu jazz has flourished since their acclaimed debut `Passo Fundo` on Hydrogen Dukebox . The pair`s latest exquisite offering takes a more structured approach to arrangements and marries it with the filmic influences of the likes of Lalo Schiffrin and David Axelrod.
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User comments about this record:
Stephanie
The Lithium Project wonderfully touch on all the key elements of downtempo. The trademark jazzy sound is well represented - think horns, keys, upright bass and luscious sampled vocals. The nu jazz/broken beat element is also in full effect. Buy it - you wont be disapointed
Stephanie
The Lithium Project wonderfully touch on all the key elements of downtempo. The trademark jazzy sound is well represented - think horns, keys, upright bass and luscious sampled vocals. The nu jazz/broken beat element is also in full effect. Buy it - you wont be disapointed!
Jimmy J.
A sharper focus has pushed their sound into a zone occupied by the purest of originators, and while it maintains a dark connection, it's the stuff you're glancing into rather than peering out from. Like all exploratory musical forms there's a beguiling broth of tones and textures to absorb here, but with a sure-footedness that again suggests a new-found clarity. Even the rhythms, close-up and delicately understated, follow suit. Ingenuity and unselfconscious emotion have, it would seem, conspired to make Many Worlds Theory a remarkable album.
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